Archive for Drawing

what happens to me when I’m away from the studio

Posted in digital, Drawing, laelia e. mitchell, Work in Progress with tags , , , , on February 20, 2012 by laelia e. mitchell

for long periods is that I forget I’m an artist. I forget I have a creative language and I forget to articulate this language, as evidenced by my lack of anything to share. this is quite alarming. plus I leave tomorrow for a mini vacation …. I also know there’s an element of laziness involved. I’ve made mention of the need to do something everyday … advice I need to be more in line with, clearly. all this said, at least there’s a phone picture to post!

I am taking a sketch book and my oil sticks/graphite case with me. I’m intend (operative word “intend”) to sketch. I hope to forget that I’ve forgotten how to be an artist. I hope to forget that I’ve not practiced my creative language and I hope that this time next week, I’ll have a sketch to share. til then … bon voyage

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fun and struggles in the studio

Posted in Art, art on paper, laelia e. mitchell, Work in Progress, work on paper with tags , , , on February 13, 2012 by laelia e. mitchell

that’s the sum total of my experiences in the studio as of late.  i go … i draw … i have fun.  i go … i draw … i struggle.  and it’s like that, all the time.  some days the ideas flow with grace and fluidity like it’s a gift from the ether.  other days (like saturday) i draw and i might as well be dumping the cat box on the paper it’s so horrendous.  there seems to be no way i can gauge the day or my temperament.

the drawing below is from one of the studio days that left me feeling like i know wtf i’m doing.  my mark making is developing into some weird language of repetition and movement and it seems to make sense to me.  i used a charcoal pencil then smudged.  i made 4 pages of this.  one page i added a gel medium to each mark and topped it with some oil stick.  i’ll photograph it and share next time.

a late post

Posted in Art, art on paper, Drawing, laelia e. mitchell, mixed media, Work in Progress, work on paper with tags , , , on January 30, 2012 by laelia e. mitchell

spending a couple days in the studio this week has refreshed my soul.  even though i didn’t really make any art on one of those days, i was able to putz around and feel that creative movement is steadily chugging along.  it’s really about the little movements towards making work that eventually end up with work getting made.   huh?  well … you know what i mean.  just something everyday eventually gets a big pile of art made.   i have a few drawings done and some canvas on the wall in the studio with a first pass of mars black … where it’s going?  not effing clue

ink, graphite, acrylic and oil stick on paper

shite … I almost forgot to post!

Posted in digital, Drawing, laelia e. mitchell with tags , , on January 23, 2012 by laelia e. mitchell

jeesus … it’s the end of the day and I’m finally posting. I don’t have access to the Internet in the green mountain state of vermont, but I’m back in the fair city of boston so here we go. as you know, I’ve embarked on a project of drawing something everyday. often it’s on the phone, yet I do actually take pencil, oil stick and ink to paper, it’s just that it’s a bit easier to post the digital drawings. I highly recommend this as a way to stay in the game … to make sure your studio practice goes with you so you’re never able to say ” I couldn’t draw because …..”. the notion of the artist block starts to recede when you do something everyday …. it really does make a difference to keep moving along. so here’s my daily drawing ->

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drawing on iphone

Posted in digital, laelia e. mitchell with tags , on January 16, 2012 by laelia e. mitchell

so I’ve recently begun using my iphone and ipad to draw. it’s quite different than paper (obviously) and lends itself to casual, free mark making. unlike a pencil to paper, a digital mark is more easily deleted which makes the whole thing less precious. I like it quite but. I also love to make marks on paper as the sound/feel is deeply resonant. right now I’m enjoying the act of drawing something each day. as woody allen – and many many others say – “showing up is 80% of success”.

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i’m back with a new project

Posted in Art, art on paper, digital, laelia e. mitchell, Photography with tags , , , on January 9, 2012 by laelia e. mitchell

as I started the new year, i felt it important that i  have a disciplined small project to keep me on track.   I bought a new sketchbook and commanded myself to draw something everyday.   as the new year approached, i was excited and kinda nervous.  drawing was out of my comfort zone.   i’m a photographer.  maybe my self imposed limits needed to be stretched.  my good fortune came through twitter where @stelth opined “should I do a drawing a day?”  to which I replied  ”yes and I’ll join you”

i am using the iphone and paper based drawings in this project.  it’s a terrific exercise for me to open up and play.  it’s helping to be part of a group … accountability.

todays sketch has yet to materialize, however here’s a link to the project and yesterday’s sketch

drawing a day

 

First Two Stages

Posted in abstract, Art, art on paper, Drawing, expressionism, expressionist, figurative, mixed media, monotype, nude, oil painting, Painting, printmaking, technique, Tom Bennett, Work in Progress, work on paper with tags , , , , , , , , , , on January 5, 2012 by Tom Bennett

Photos of the first stages of the process I’m exploring with these current reworked monotypes-to-paintings.
The monotype is an ancient relic from the early 90′s. Drawing over the image and reintegrating the underlying forms with the new marks, I then bring in paint of varying viscosities with brush and knife. The recontextualization of form may be overtly reconsidered or more likely metamorphosizes ‘organically’ (for lack of better pompous phrasing). Here much of the original is obliterated yet structurally the new image is recognizably built on form that is now rendered abstract. I’m away from my studio this week and won’t be reworking this until I get back, so this current unresolved stage will have to ferment like a soft wheel of gouda, also known as my head.

 

stage1male-female-1.jpg

 

 

 

stage2male-female.jpg stage 2

taking a break

Posted in art on paper, laelia e. mitchell, Work in Progress with tags , , on December 19, 2011 by laelia e. mitchell

so … i’m in the studio today and will be packing up some supplies to take with me for the holiday break. i’ll be in the southern vermont area with very limited internet service so I’ll likely pass on next monday’s post. in the meantime, i’m thinking about my practice and how i’m moving away from photography and how it feels. if one has spent 30+ years in one discipline, how do you move through the discomfort of transition?

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in some sort of transition …

Posted in Art, Drawing, laelia e. mitchell, mixed media with tags , , , on December 5, 2011 by laelia e. mitchell

i’ve concluded that there’s a substantial part of me that has always wanted to be a painter/printmaker.  the move to a studio has allowed me to open up to other mediums … and i’m eager to investigate.  the generative process of printmaking is especially appealing as it requires me to fiddle around with a mechanical component (which i love) and it provides multiples (which i also love).  drawing is also calling to me as it enables me to play and be spontaneous.  it’s all very unnerving having spent so many years as a photographer.  what is apparent, however, is that i’m still working within a frame.  that’s the photographer in me and that’s ok as it provides some sort of platform.

this is acrylic on paper and ink.  image is approx 7″ x 7″ .

new work … no pics, yet

Posted in Art, art on paper, laelia e. mitchell, monotype with tags , , , on November 21, 2011 by laelia e. mitchell

i’ve been working with the monotype as a means for creative development and i’m finding the process to be a great way to both have fun AND mine some deeper ideas.  i’m not a trained printmaker and my forays into the plastic arts in college were abysmal.  yet, this time, i’m finding a real draw to printmaking in particular.  i can only guess it’s my inner finger painting child screaming for more attention …  yet, it might be a bit more.  my drive to pick up my camera has dropped to  all time lows and i spend more time drawing and playing with paints and papers than ever before.  additionally, i find little interest in looking a contemporary photography.  it all seems so contrived and well .. i dunno.  i’m sure to find my way back sometime.

so… while i’ve samples of this new direction, they’re all at my studio and i’ve not had a moment to foto them for this entry ( i know … what a loser)  i’ll be sure to post some soon

in the meantime …. this is a detail of an ink scroll 4″ x 48″

Rhombicuboctahedrons For Mental Health

Posted in Art, Drawing, J. D. Hastings with tags , , , , on September 20, 2011 by jdhastings

Last week I was having energy and anxiety issue. Finally, one day at work, I forced myself to draw this:

As I said then on tumblr, “When the world seems particularly stupid I get an obsessive urge to make perspective drawings to assure myself order still exists, even if it’s just the illusion of such.”

Since then, my computer has refused to acknowledge my printer/scanner combo, my cable television cut out and as of this morning, my building’s water didn’t work. Possibly due to a crackhead stealing it’s pipes. Clearly, a fancy cube wasn’t going to cut it. Thus I present you, the “rhombicuboctahedron,” a term I had to look up on google this morning. I had been calling it a 3D octagon, but will now pretend I knew it’s real name all along.

Octagon3

(I apologize for the appearance of these photos. Due to my scanner being out I used my camera and apparently messed up the entire enterprise.) This version was inked with drafting pen on vellum (the vellum I’m using is basically high quality tracing paper). This allows me to preserve states of the original so I can go different directions later if I choose.

Octagon4

This is an earlier state of the same drawing showing the completely transparent rhombicuboctahedron. It may take a while to understand it as such, but I assure you it’s true.

The next 2 drawings are blurry. I apologize, but they help give context to the above 2 drawings.
Read more »

Sunday Sidewalk Doodles: Block Party Monster Collab

Posted in Art, Stephanie Gerolimatos with tags , , , , , , , , , , on September 11, 2011 by ssstephg


by StephG and MarkieB
about 5 x 5 feet square

My pal Mark and I had fun doodling on the sidewalk at the third Great HolyokeBlock Party in Heritage Park last weekend. We brought a couple of boxes of chalk and with very little urging, convinced a bunch of kids to help us cover the concrete. More pics after the jump! Read more »

Sketches for Painting

Posted in abstract expressionism, Art, art on paper, Drawing, figurative, homage, mixed media, nude, oil painting, Painting, sculpture, technique, Tom Bennett, work on paper with tags , , , , , , , on August 25, 2011 by Tom Bennett

One of the many themes I’ve worked on over the years is the male figure; in particular the male back, often inspired by classical painting and sculpture. I find The heightened muscular forms and volumes of figures created by renaissance and baroque artists like Michelangelo, Bandinelli and Caravaggio great subjects for abstraction and distortion. Many of the details of figures from antiquity, when looked at with an open perspective create vast conceptual worlds of abstracted landscape and space.

Here I’m making loose color studies as an exploration for larger finished pieces. Its an exercise in balancing control and accident on the way to discovering expressive formal, emotive and metaphysical paths. I’ve included an older oil painting I created years ago in Spain as one of the first forays into this area. It was based on sketches and watercolors I had done from a sculpture of Neptune in the Piazza Signoria in Florence.

herc

Herc, mixed media on paper, 12″ x 9″

signoria

Signoria, mixed media, 12″ x 9″

Barcelona Neptune, 1986, oil on canvas

Barcelona Neptune, 1986, oil on canvas, 48″ x 36″

John Henry Died With A Hammer In His Hands

Posted in Art, Drawing, J. D. Hastings with tags , , , on August 23, 2011 by jdhastings

I remember reading the John Henry legend in second grade. It stuck with me because it was so weird. Why was anyone that proud of hammering? Does the fact that he won the race signify that no machine can conquer the human spirit or the fact that he died signify that an inconcquerable spirit is a long term negative?

I don’t know, and at this point in human development it’s probably irrelevant as we either won or lost that battle a long time ago. In most disciplines. Some artists still have opinions on photography, let alone digital art. Honestly, they already have computers composing music so if this is a source of anxiety for you, you’ll want to stock up on Ativan now.

In that thread, and relating to last week’s post about the need to stock up materials for future projects, I give you art drawn by my computer:

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My Pazzles cutting machines are able to make things like this if you replace the cutting blade with a pen. The trick for me is then to design the patterns for them to draw using bezier lines.

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The piece above shows the primary limitation of this method. While it’s pretty straightforward to tell a human “Use a flat tipped market to collor the shapes in” anything translating a digital command to a physical action by a computer is much more complicated (anyone who’s ever cussed out a printer understands). The machine only understands lines. Even if it could hold the flat tipped marker, it would still have to be programmed exactly how to move it in linear fashion.

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The result is that if you want a block of color you have to teach the machine to block them in with a large number of lines. The piece at the top does that using all straight lines. Directionality of the lines distinguishes the different zones.

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This piece (also included last week) has 9 different “fill” textures. Tiny wavy lines, circles, regular lines and a variety of those things cross hatched together. It probably could never be drawn by me at the level of precision the machine could get, but it now takes the machine less time to draw than it took me to put together online.

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It’s not perfect though. The machine has a weird tendency to forget to pick up the pen between shapes, which leads to some of the random lines across the page in some of these. This is weird to me because of all the problems I attribute with computers, absent mindedness isn’t one of them. Regardless, I’ll take it in return for the advantages.

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I drew this one by hand. It probably took longer than any of these and, while it has block color, still is kind of clumsy. Oh well.

In addition to these patterns I developed, you can also just plug a photo in and as the computer to interpret everything itself with interesting results. Here’s my computer’s drawing of a cat:

cat316

More samples after the jump: Read more »

Thanks, Flickr

Posted in Art, Drawing, J. D. Hastings with tags , , on August 2, 2011 by jdhastings

I uploaded images last night and now that I’m at work, they aren’t there. Fantastic.

Instead of what I had planned I guess I’ll post these drawings I did of a painting I also don’t have a photo of here. Maybe you can guess what it looks like.

CirclesArcs

CirclesArcsColor1

Circle024

RedOrange060

I drew these a few years ago when my camera was broken so I couldn’t get real critiques on art online. In response I started to draw the paintings I was making in MS Paint and posting those. The people online got hilariously angry at me for trying this so even after I got a new camera I kept posting things like this instead of the photos. These drawings are of a masking tape paint collage that, as I said, I still haven’t gotten around to photographing.

Now if you pardon me I’m going to swear at my computer some more.

-JD

Oslo

Posted in Art, art on paper, Drawing, figurative, gesture drawing, mixed media, nude, Painting, Tom Bennett, work on paper with tags , , , , , , , on July 28, 2011 by Tom Bennett

oslo

Oslo
india ink, benzyl ink, pencil, graphite and gouache on paper

Salad days

Posted in Art, art on paper, Drawing, figurative, mixed media, portrait, Tom Bennett, work on paper with tags , , , , , , on July 21, 2011 by Tom Bennett

Greens were eaten that hot day at the neighborhood bar in Carroll Gardens. She was amused that he had ordered a Greek Salad as the Japanese team brought honor to their distraught nation.

Salad Days

mixed media: graphite, pencil, goauche, benzyl alcohol ink, india ink

Unconscious Crab Roll on the Beach

Posted in Art, art on paper, Drawing, figurative, gesture drawing, mixed media, nude, Painting, Tom Bennett, work on paper with tags , , , , , , , on July 14, 2011 by Tom Bennett

Another quick sketch between lunch and the next thing.

I’m thinking about the cottage and the lobster and the sea. Not that this image necessarily says that.

crab roll

mixed media: pencil, graphite, ink, benzyl ink, gouache on paper; 9″ x 12″

Quick Painting: Under Water & Short Of Breath

Posted in Art, Stephanie Gerolimatos with tags , , , , , , , , on July 9, 2011 by ssstephg

art by Steph Gerolimatos

18 x 9 inches
acrylic, purple flocking fiber, red ballpoint pen and graphite on all-rag board

I did this sketch the other day while the paint on what I really wanted to work on stubbornly refused to dry. And although I was irritated at the time, I really do understand. Extreme humidity can suck the energy to do anything out of anyone… or anything. Hell, I was barely able to muster the energy to breathe that day. Gills might have helped, but wearing mine always reminds me of that awful movie Waterworld so I generally keep them tucked away–out of sight, out of mind. Also, I didn’t manage to stay dry myself so how can I possibly expect more from my art? Right. It makes no sense, any of it. Flocking hell.

dennis hopper in waterworldOK I love ya Mister Eyeballman buh bye!

-Steph

Pussy Cats and Dead Girls

Posted in Art, art on paper, Drawing, figurative, gesture drawing, monotype, nude, printmaking, Tom Bennett, work on paper with tags , , , , , , , , on July 7, 2011 by Tom Bennett

That sounds like a good title for a hard-boiled pulp detective novel by someone named Max Phillips, doesn’t it?

nude & cat

Nude and Cat
mixed media on paper, 12″ x 9″

figure with cat

Figure and Cat
mixed media on paper, 12″ x 9″

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