Let’s see now, what to say about this. How about it’s not finished yet, but it’s starting to make me grin. I hope that thing that sometimes happens where I show an unfinished piece and then lose interest in it doesn’t happen this time.
Well, I flipped it upside down, and it might be done. The jury is still out. Do I want to leave it soft and chewy? Or do I want a crunchy cookie? Depends on the mood, and I am nothing if not moody. Whaddaya think, Fini or get back to work?
Here’s a work in progress. Below is an earlier version I posted a week or two ago. Painting is going pretty well right now. I sometimes wonder why I ever leave the studio. Not much else seems worth the bother. My cat just entered the room, shot me a perfunctory stare, then laid down in his own personal sunbeam. He knows what’s up.
Above is a closeup of what’s happening with one of the pieces I posted last weekend. Below is another work in progress. It’s another of the two foot square panels.
Don’t let the title of this post mislead you. I’m no math geek. I mean, I do think math is great. I love math geeks. It’s just that there is a ton of math I haven’t actually used since high school. As a result, there is much that I have forgotten. I’m still good at measuring and fractions because that’s handy for building things. But honestly, in the interest of creating a convoluted post title, I looked up the square root of eight today in lieu of even trying to figure it out.
Back to art! My very special pal built for me this week, eight fabulously-crafted two foot square panels. That’s him above alongside the panels with his blue ball and his blue yoga mat. Thank you, handsome, beardy Bodart! Each panel is cradled with one by twos which leaves a little room in the back for things like squishy foam and velvet or whatever else strikes my fancy once I start cutting into these suckers. I haven’t started any subtractive work yet, just additive. See a couple of works in progress below.
Steve Lambert’s giant interactive sculpture greets visitors at the entrance to the deCordova museum. It’s part of the 2012 biennial show on view through April 22.
Interesting note: this work was partially funded through Kickstarter.
A couple of weeks back, my pal Bodart and I took a trip to The deCordova sculpture park and museum in Lincoln Mass. Despite having lived in western Mass for over a decade, neither of us had ever been. I’d heard great things about the place and was not disappointed. The museum held three floors of compelling contemporary art which I was unfortunately not allowed to photograph. I was especially disappointed not to be able to snag photos of Soo Sunny Park and Spencer Topel’s collaborative installation “Capturing Resonance” as it’s a particularly photogenic work. So do follow that link, and better yet, go see and hear it for yourself!
We did, however, take pictures on our jaunt around the grounds, some of which I will post below. The park is set in a partially wooded area overlooking a large pond, and the landscape provides a beautiful backdrop for the art. I was delighted by how wonderfully the sculpture park was designed. Your vantage point continually shifts as you walk along, as do the surroundings and how they relate to the sculptures. At times, the environment and the art echo each others’ shapes and textures so much so that a sculpture will blend in only to reveal itself once you are nearly on top of it. Other times, the landscape provides a vignette or marker that frames or points to a work in a more obvious, even theatrical manner. Wandering around the grounds was my favorite part of the day. I’m looking forward to visiting again to experience the park during different seasons.
I can’t promise it will continue, but the Sunday Sidewalk segment of d’Arteboard is back for at least this week. Ornamental concrete brought to you today courtesy of Mother Nature’s senility. Please no one remind the old gal of what March in New England is supposed to be like.
Warm thoughts and warmer air,
-Steph
I can’t figure it out, and I’m tired of being pissed off so let’s revert to snail mail and keeping to our own business and that of our immediate neighbors’. I will post (as in mail) these as soon as I’m finished erecting a forty foot tall fence around the compound that is to be my hermit cave. It should not take long as the hot oil trap door is already finished. Hooray for being ahead of schedule!
Peace,
-Steph
Yesterday, I hung some of my art up at JP Licks in Harvard Square. It never occurred to me that my work could look presentable on astro-turf, but as it turns out, faux greenery is quite a lovely background for it indeed! After careful consideration, I chose work from two different series, Surface and Circular Obfuscation.
It was a fun day! My super-hero pal–Preparator M and I awoke at 4am, fed ourselves and our feline army, then hit the road. We arrived in grey, rainy Cambridge with a carload of art at 7:45 and were greeted at the JP Licks door by bright-eyed Lily who, along with her ice cream compatriot Steph, provided a very helpful, very enthusiastic audience for the next hour and a half. Happily, everything went perfectly, no problems at all! We spent the next few hours hanging out in Boston, watching penguins at The New England Aquarium, enjoying Thai food, sipping hot beverages and people-watching.
My work will be up until the end of March so if your nearby, stop in and see it. Big fat thanks to Kelly at JP Licks for inviting me to show and to my pal Zatch for showing Kelly my work in the first place!
Two more postcards, both acrylic on all rag mat board. I’m going to have to use regular stamps to send these since the board is so thick. The thing I learned, or re-learned actually, from the second card here is that neon does not reproduce accurately in photos. I have these great neon acrylics that I just can’t get to look the same in pictures of the work as they do in real life, damnit.
Just one postcard this morning but I may post more later. I have a few more finished. I just haven’t had a chance to photograph them. Note to self: buy stamps and start mailing these. This one is watercolor, graphite and acrylic on lovely archival matboard.
As long as anyone can remember, the coming of The Undertaker has meant the coming of death. Until one day the grim promise fails and tension builds as the God fearing townsfolk of Backwater wait for someone to die.
The Backwater Gospel (2011) 09:39 | Animation – Horror Thriller Produced at The Animation Workshop (www.animwork.dk)
CREDITS: Bo Mathorne (Director), Arthur Gil Larsen (Animation Lead), Mads Simonsen (Technical director). Animators: Thomas Grønlund, Rie Nymand, Tue Toft Sørensen. Esben Sloth (Art Director), Martin Holm-Grevy (Environment lead). Music composed and performed by:Sons of Perdition. Voice actors:The Tramp: Zebulon Whatley, The Minister: Lucien Dodge, Bubba: Phillip Sacramento, Towns people: Laura Post. Supervisors: Michelle Nardone — Production supervisor, Katrine Talks — Production supervisor, Jessie Roland — Animation supervisor, Christian Kuntz — Animatic supervisor, Patrick Voetberg — Editing supervisor, Sunit Parekh-Gaihede — CG supervisor, Jared Embley — Rigging supervisor, Thomas Christensen — Sound supervisor, Svend Nordby — Technical supervisor, Consultants: Peter Albrechtsen — Sound design consultant, Michael Valeur — Story consultant, Andrew Harris — CG Consultant, Mads Juul — Animatic consultant, Saschka Unseld — 3D animatic consultant, Anna Kubik — 3D animatic consultant, Jericca Cleland — Story consultant, Marec Fritzinger — Design consultant, Tomm Moore — Design consultant, Lawrence Marvit — Design consultant, Niels Bach — Background consultan
Watch short film at http://bit.ly/nllmuq or scan the QR Code with your device Watch the Making-of at http://vimeo.com/19740971, http://vimeo.com/19954543t
Good morning! Hope you enjoy this as much as I did
-Steph
Agora Gallery - the proud sponsor of the Chelsea International Fine Art Competition, which offers contemporary artists the opportunity to show their original art at one the most acclaimed juried art shows in Chelsea, New York’s art galleries district.