just found out I’m in a little show in boston in January. if you’re in town let me know. I’m gonna try to make some art this week … not sure the vacation mode is conducive
aviary gallery
Archive for the landscape Category
in the green mountain state
Posted in laelia e. mitchell, landscape, Photography with tags Art, Photography on December 26, 2011 by laelia e. mitchellMiles Mausoleum
Posted in Art, film, Jason Gray, landscape with tags Jason Gray on December 24, 2011 by Jason GrayAs promised several weeks ago, here are some of the shots that I took on a visit to a nearby abandoned mausoleum. All photos were shot with a Bronica ETRSi and 75mm f/2.8 lens on Kodak T-Max 100 film. Images were scanned, which contributed to the funky color-cast, and appear completely unedited (save the watermark). I’ll include some scans from the final prints at a later time.
From Wikipedia:
Stephen Miles, a veteran of the War of 1812, was buried here by his son Stephen W. Miles. The mausoleum is located atop Eagle Cliff midway between Columbia and Valmeyer in what is known variously as Eagle Cliff Cemetery or Miles Cemetery. Due to its size and position on the bluff, the mausoleum is visible from several miles away, and has thus gained a prominent position in local legend. It has been a frequent target for vandals, and as a result all bodies were removed and reburied elsewhere; the fifty-six crypts are now empty and open, and the door to the mausoleum is gone.
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Are Those Flesh Colored Pants?
Posted in Art, landscape, Toni Tiller with tags Art, creeper, fencing, landscape, Toni Tiller on September 14, 2011 by Toni TillerWe had 8 days of no power after the hurricane, which isn’t as horrible as it sounds, but I guess maybe my next door neighbor got bored or something because he took it into his head to put on a little unwanted show for me while I was on my trampoline.
I’m not the kind of chick that gets thrown into a tizzy at the mere sight of a nude man, but there was definitely some creeper element to this situation. Trampoline time is sacred to me, it’s where I get my exercise and work out problems. It affords me the best view of my property and gives me the opportunity to monitor progress from an aerial advantage, so I was deeply annoyed at having this precious position compromised. My first thought was to move it to another location, but that is kind of impossible because it’s enormous, and I almost entirely forgot that I had it installed in place for just that reason, so lifting it anywhere was out. Screening seemed like a better idea, but I kind of hate manufactured fencing and I really didn’t want to spend money because someone else was being a dick. Or showing a dick. Whatever.
Instead I noticed that there was a small copse of trees that arced around it and thought, “why don’t I just build that up a bit?”, seemed like a workable (and free) solution. I strung some plastic cording between two trees at three levels and stood long, narrow, scavenged branches against it, then used nylon twine to bind them in an easy weave. Now wouldja look at that, a 10 foot tall fence that blends in with the natural landscape!
During the parts where the support trees were a little further apart I added some extra durability by making a chain out of the cording, in this case speaker wire was chosen for the flexibility, the plastic coating, and the ability to hold a knot.
Once the initial structure is finished I plan on going back and staggering a second layer across the front of fill in the gaps and cover all the ugly wires. Hopefully my neighbor can keep his pants on in the meantime.
monday, monday la la la lala la
Posted in Art, laelia e. mitchell, landscape, Photo-Impressionism, Photography, Work in Progress on September 12, 2011 by laelia e. mitchellas i’ve been moving my studio, i’ve come to realize just how much energy is infused into the space in which an artist works. my home studio enabled easy access and provided me with comfort and a sense of security. it also doubled as a guest room, so when friends and family arrived for extended stays, i quickly gathered my essential art tools and left my little room. i would peer in when our guests were out sightseeing to make sure my packed away materials were safe and no dog or small child had eviscerated anything.
when the opportunity to move into a shared space with a old dear friend presented itself, i jumped. i also did my homework. i looked at other studios in the city carefully measuring the distance/time component traversed on bike and whether there was public transport nearby. i factored in rent which needed to be within a budget that i could reasonably afford. after lots of visits and bike rides the original opportunity seemed perfect.
now for the move … what i didn’t know, nor could i have forseen, was the internal struggle. that struggle being the need to redefine who i am as an artist, how i make work, and the essential need for time management and discipline. i no longer have the luxury of “hanging out” in my home studio for an hour or so. i must place my studio practice into the arena of commitment. yes folks, commitment. it’s been an easy ride for these last years and now i’ve challenged myself to shit or get off the pot. i certainly have enjoyed the lazy jaunt to this place in my life.
i must now engage a new set of skills and inject my studio space with the energy of an artist ready to begin a new chapter … a deepening challenge and a commitment to break of out of the comfort and dive into that place where the best of my vision awaits. it’s kinda hard, yet i’ve paid my september rent and most of my stuff is there.
i guess this means no more going in to the studio with my pajamas on.
in this transitive period the iphone comes in handy:
Atmosphere Part One
Posted in 35mm, abstract, Art, Jason Gray, landscape, Photo-Impressionism, Photography with tags Chicago, Jason Gray, Nikon D50 on June 17, 2011 by Jason GraySome of you might recall a series that I started several years ago, and that was somewhat erroneously referred to as “Photo-Impressionism”. In any case, here is a slight expansion on that old, abandoned project; picked back up in the city where it began. Enjoy.
All Nikon D50 with Nikkor 35mm f/1.8G lens.
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Sea Creature
Posted in abstract, Art, art on paper, figurative, gesture, landscape, monotype, printmaking, Tom Bennett, work on paper with tags abstract, Art, bay, cape cod, figure, low tide, monotype, printmaking, sea creature, seascape, Tom Bennett on June 9, 2011 by Tom BennettIt’s the beginning of what many climatologists say is a long period of climate change and hot summers in this hemisphere. Its hot here in New York and I wearily prepare for the heavy clammy dampness and the heat and the high electrical bills. So this image is a mild counteractive to that. I am thinking of Cape Cod Bay and its temperate tone , yet the warm yellow may mitigate even this attempt at the cool.
Tom
Pilgrimage, 2011, monotype, 16″ x 20″
Back in Black (and White)
Posted in 35mm, Art, Jason Gray, landscape with tags Jason Gray, St. Louis on April 1, 2011 by Jason GrayHere are my latest scans from my explorations around the STL of long ago. Enjoy!
All Nikon N80 with Nikkor 50mm f/1.8D lens and Ilford HP5+ 400 Film.
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Black and White Part Two
Posted in 35mm, abstract, Art, art school, Jason Gray, landscape, St. Louis with tags 35mm Film, Jason Gray, Photography, St. Louis on March 11, 2011 by Jason GrayIn the last two weeks, I have switched from focusing on the small patch of woods in the urban park where I work to the more industrial side of St. Louis. My city is a strange place that still makes things, all kinds of things, from chemicals to jet planes. This reality means that there is a lot of space (most manufacturing centers stopped building up and started building out at least by the 1940′s), and since most of my city’s population had left for the suburbs by the end of the 1970′s, that means a lot of empty space. So “space” is what I have been concentrating on lately (with a few exceptions). Enjoy!
All Nikon N80 or Nikon n8008s with Nikkor 50mm f/1.8D or Nikkor 105mm f/2.8G lenses.
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W.I.P. It Wednesday
Posted in Art, landscape, monotype, Toni Tiller with tags Art, landscape, monotype, printmaking, Toni Tiller, winter on February 2, 2011 by Toni TillerThis is the second in an attempt at working from images of winter donated by artist Molly Sanger Carpenter. This is my first pass at it, and while I am not in love, I do see where I might want to make some adjustments and take it next. The plan had been to make a few attempts at this in a row, but the weather conspired against me by forcing me into shoveling heaps and heaps of snow cut into art making time, at least it got me in a wintery mood though.
Second Attempt
Posted in Art, landscape, monotype, Toni Tiller with tags Art, monotype, printmaking, Toni Tiller on January 19, 2011 by Toni TillerSnow Day!
Posted in Art, landscape, monotype, printmaking, Toni Tiller with tags Art, monotype, printmaking, Toni Tiller on January 12, 2011 by Toni TillerIt started snowing last night, and kept snowing, and snowing, and…yeah you get the idea. We are currently buried under two and a half feet, which I really don’t mind. My yard instantly looks a lot cleaner, and the sculptures take on a new dimension. This is the one behind my bedroom, just to give you an idea of perspective this thing stands at about 8 feet.
Looks pretty with all the snow on it, doesn’t it?
I also took the opportunity to use the new space I mentioned last week. Taking a step back from the abstracts, I thought I’d try another landscape based on an image by sculptor Molly Sanger Carpenter. I lost familiarity with using the inks this way so I think I will be taking a few more stabs at this image, as well as also printing multiple layers on the same image.
Connecticut Winter
Posted in abstract, Art, landscape, monotype, printmaking, Toni Tiller with tags abstract, Connecticut, monotype, printmaking, Toni Tiller, winter on December 15, 2010 by Toni TillerIt’s the season for snow, and we got our first real dusting this week, so I thought I’d try and capture a little of it here.
The process on this was to take a very dirty plexiglass plate, slather it with a very dirty turpentine brush and scrape all the old paint off, and set to the side. Then I loaded the plate with heavy wet black ink, and took the dirty chips and crumbled them over the surface and printed. From that I got a big mess, just a black blob, but for a change I actually expected that, and then printed the same plate again and got this one. What I have discovered over time is that by using dirty resists (in this case paint chips) and over loading the plate for the first print it pushes bits of ink under the resist which then reappear on the second print forming softer more subtle patterns. The only down side so far is that because it requires two runs through the press it uses twice as much material. I might be able to figure something out for that.
My Best of 2010
Posted in 35mm, abstract, Art, Jason Gray, landscape with tags Best of 2010, Jason Gray, Nikon, Photography, St. Louis on December 10, 2010 by Jason Gray2010 has been a looonnng year, or at least it’s sure seemed long. This year, I have experienced innumerable highs and lows, which is strange because the entire time while they were happening, I felt sort of distracted. Realizations in hindsight… Anyway, here are 25 of my favorite pictures that I took this year (kind of a tradition now for me). Enjoy!
Some Studies
Posted in Art, landscape, monotype, printmaking, Toni Tiller with tags Art, landscape, monotype, printmaking, Toni Tiller on July 14, 2010 by Toni TillerA little while ago JD posted some images of a building being torn down in his neighborhood. We spent part of an afternoon wandering around the block and taking pictures and I was hoping to use some of mine to make a few of these monotypes I’ve been working on. These aren’t finished pieces, but studies for future pieces, I plan on playing with the compositions a bit more.
Two Views (Again)
Posted in Art, landscape, monotype, printmaking, Toni Tiller with tags Art, landscape, monotype, printmaking, Toni Tiller on July 7, 2010 by Toni TillerAs I attempted to discuss two weeks ago part of what I have been exploring with this process is working the same plate twice. Mostly it’s just because it gives me a chance to continue to figure out how to manipulate the materials. If I put the ink down this way this is what happens and if I go back and do it another way I get to see what happens when I do that. It’s a slow process of trying to get a command over some pretty lo-fi technology, but it’s also fun and I’m actually wondering what would happen if I did the whole thing even more low tech and use a rolling pin or something. Maybe I’ll run over my plates with my car, I don’t know, but I like how a simple change in viscosity here can produce two very different moods in the same visual structure.
I Need To Start Titling These
Posted in Art, landscape, monotype, printmaking, Toni Tiller with tags Art, landscape, monotype, printmaking, Toni Tiller on June 30, 2010 by Toni TillerI always find naming art to be a little challenging, and these have proven the hardest yet. When I was working on the abstract subway pieces it was easy, things would just pop into my head, but these are too close to being representational for my mind to wander that way. I feel like they should be appropriately vague and artsy right? I better think of something soon because I am out in California and I just took about 500 new reference images to work from.
500 images.
I think I just scared myself.
Nevermind. Here’s the latest untitled piece. 8 x 10 monotype on fabric

Two Views
Posted in Art, landscape, monotype, printmaking, Toni Tiller with tags Art, landscape, monotype, printmaking, Toni Tiller on June 23, 2010 by Toni TillerIt’s hot and I am distracted so that means I have started and forgotten to finish this blog post about 6 times now. I can’t seem to string together words without getting lost. I think I was going to say something about working two views of the same image, but I can’t remember so I’ll just post my images and get back to wallowing.
Good Fences Make Good Neighbors – As Long As You Don’t Live In Wilton
Posted in "But Is It Art?", Art, landscape, sculpture, Toni Tiller with tags Andy Reiss, Art, fence, Hamilton Landscape, local, sculpture, Toni Tiller, zoning on April 28, 2010 by Toni TillerI first met Andy Reiss of Hamilton Landscape about 8 years ago at a local art opening, where he gave me a pink rubber pig wearing overalls that had his business contact information on it. As far as marketing strategies were concerned it worked, I couldn’t personally afford to hire him (or anyone else) but he had my attention, and I started keeping an eye on what he was up to around town. His landscape projects always had a little twist that you could identify as his long before you came upon on the Hamilton logo; some sculptures down on Rt.7 made of reclaimed materials, or a fence made of rough cuts of wood left over from the lumber yard and arranged in a cross hatched pattern that to my eye created a softer, more natural landscape line than the cheap uniform crap you buy at Home Depot.
About three years ago he purchased a house around a mile from me, a fact that wasn’t obvious at first but it’s on the way to the town dump where I go to get all my skulls and local gossip and pretty soon you could see some changes were taking place. What started as a small conservative looking house on a hill began to evolve as large undulating rock walls sprang up, white clapboard siding was replaced with a warm stucco finish, and huge piles of wood and materials started to accumulate. To me it was pretty obvious that he was working on something big, and big things usually take a bit of time, so personally I never thought much of it but his neighbors had other ideas and a two year battle of cease and desist and clean up orders were issued from the town. Signs were posted outside of his house urging local residents to “take a stand” against this terrible visual menace at what was scheduled to be a final appeal at a zoning meeting set for April 19th.
I had no idea any of this had been going on but was lucky enough to stumble into it after my general curiosity about what he was building got the better of me and I went over to his house to reintroduce myself and see what he was working on. I found him in the yard building one of the offending items, the Peace Wall, a fence constructed entirely out of recycled metal and found objects, designed to eventually be taken over by plants to become something of a living wall. I’m no stranger to wanting to block out the neighbors, or of using the materials you have at hand so after all my hey-how-are-ya-whatcha-workin-on stuff questions I was treated to a full tour and an explanation of the thought process behind the work.
After spending a number of hours with him I can tell you there is no paucity of ideas taking place over there. Each project is given very thoughtful consideration with an emphasis on conserving energy through the re-use of discarded items. He spoke of the time and energy spent on the creation and transportation of most common building materials, many of which are discarded when left over from projects and deemed excess or unusable. Taking a walk though his home and yard demonstrates that nearly anything, even things that appear broken and unusable can very often take new life by doing something as simple as flipping them over and looking at them as abstract 3 dimensional objects without the same symbolic meaning of it’s first use. What do these things become when you stop looking at them as what someone told you they are? I like hanging out over at his house because I always go home looking at my own current challenges with fresh ideas, not to mention after looking at everything he’s accomplished in three years I feel like a lazy piece of shit that needs to get her ass in gear. I’ll take my motivation where ever I can find it.
The big appeal has come and gone, and I’ll refer you over to the Wilton Patch to get all the details of the proceedings and results, but I will say for a 3 hour small town zoning meeting it was pretty fascinating. High drama with show and tell demonstrations, discussions of the “what is art?” variety (substitute “fence” for art), accusations of Thanksgiving holiday ruining, and fears of nudity. I started to wonder if I was caught in an absurdest theatrical production and I was happily reminded that small town life is always far more bizarre than what happens in the city. No wonder I love it here.
So have a look for yourself and decide if this is the holiday ruining visual menace that they claim, an inventive use of materials, or somewhere in between. Either way, now that this drama is over it looks like I am going to have to figure out some other reason to go and see what he’s up to because I could seriously go there and never run out of stuff to take photographs of.

World’s Coolest Cat Bed
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Ephemeral Connections
Posted in Art, landscape, Photography, sculpture, Toni Tiller with tags abstact, Art, ephemeral scuplture, scuplture, subway, Toni Tiller on April 7, 2010 by Toni TillerI was out and about in the world the other day and took this photo.
It’s been a long time since I have done one of these and tell the truth, I am not in love with it, but in this case that isn’t the point. I also spent most of the week walking around my property digging up rotten wood, and carefully brushing back all the wet and rotted material to uncover the forms. Then you set them out to air cure and they petrify and look like this.
I never thought the two had anything in common, but I am beginning to rethink that.
Accidents Will Happen
Posted in abstract, Art, art on paper, figurative, landscape, monotype, printmaking, Tom Bennett with tags abstract, accident, Art, figure, landscape, monotype, paper, printmaking, Tom Bennett on January 14, 2010 by Tom BennettAnd with the monotype process, it often does. And it did! The paper had been soaking too long: over night, and I had dried it out. Then a few days later I soaked the paper again, and somehow it had degraded to a point so when I pulled the print, it stuck to areas of the plate where the medium and been especially tacky. But I thought maybe it was salvageable in it’s serendipitous abstraction. I thought I’d share my mess with you, like an audience member on Dr. Phil.



































