Another quick sketch between lunch and the next thing.
I’m thinking about the cottage and the lobster and the sea. Not that this image necessarily says that.
mixed media: pencil, graphite, ink, benzyl ink, gouache on paper; 9″ x 12″
This is my stab at making art this week, please note the new surface of choice. I predict that this is the onset of a new trend and soon everyone will be drawing on stryrofoam left over containers, you just wait.
When I’m not busy revolutionizing the world of art trends I’ve been putting together boxes of goodies to send out to some of my friends from my vintage windfall. Fabrics, yarns, sewing supplies, and weird things I can’t identify will soon be hitting the post office and making their way to other parts. The woman I inherited these from was unique and prolific, and I am sure she would be pleased to see these things make their way out of the attic and into the studios of other artists. First I gotta sort it all though.
I’m tired and when I’m tired I throw stuff down on paper and slop it around, pretending that my subconscious has something to do with the chaotic garbage that is left.
But is it art?
Humans are full of sh*t , huh?

PIG, mixed media on paper, 11″ x 7″
I’m in a bad mood. I didn’t sleep well and when I finally did fall asleep I dreamt about not being able to fall asleep. Then I’m out of tea, my computer is running slow and AN ENTIRE SCHOOL OF CHILDREN was in my way as I tried to exit the BART station to get to work.
Also, I apparently forgot to upload my image for today up to Flickr and I stupidly left open an opportunity to play an X in 2 directions on a triple letter score on Words with Friends. I am a bottle of pure distilled rage this morning and hate everything.
Here’s a quick drawing of the worm from Dune that I made into a collage I can’t post. The little figures suck. I get it.
-JD
I was laid up this weekend with a twisted ankle so decided to make a quick book for this.
In a hurry, I went to my standby, the target, with a line through it that rotated clockwise over the course of 6 pages. I hadn’t made a book comprised of actual premade quilts before, so this was a nice exercise. The whole thing is about 8″ x 8″ I think. Maybe 7″. It’s made of Acrylic on Canvas, drawings and pre-printed collage materials sewn together.
Here’s the progression:
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I’ll post larger images after the jump.
Here’s the covers. I had to take these while at work.:

Front Cover

Ready to ship. In theory. In practice I had to buy a huge sticker that covered up my handwriting and got smudged and may not have fit right.
So there’s a healthy chance this never ends up anywhere.
Bigger images of the inside after the jump.
Read more »
If I didn’t have to work for a living I’d get a lot more art done. And read more books. In fact the world as a whole would be a better place.
I came tantalizing close to finishing something to post this weekend but got caught by the buzzer. Instead, here are some designs I scribbled while teaching myself some of the art of tessellation.
There’s more after the jump. Read more »
To be clear, if one is making a monotype from life, working from a an inanimate subject like a still life doesn’t pose many problems. working from a live landscape is more challenging in that one requires a press(if one is using a press) to be nearby, and working from the live model is only problematic if the model becomes uncomfortable since the process can be a stop and start, dragged out thing. The monotypes below were made from life “once removed”, in that I drew the model in a sketchbook first and then created the monos from the drawings.
Tom Bennett
Rex and Rabbit 1, monotype, 16″ x20″
Rex and Rabbit 2, monotype, 16″ x 20″
I forgot to upload the piece I was going to post today, so I’ll put up some random jazz portraits I’ve made in the past. I may have posted some of these before. When in doubt about what subject to represent (when I bother with representation) I tend to drift towards portraits of Jazz musicians because of my passion for their artform. It’s not deep, and often the portraits don’t convey the essence of what I love about their art, but it’s something to use as I explore ways of representing things.

Booker Little, Used masking tape mounted on paper and collaged. 10 x 8

Clifford Brown, Ink on paper 8 x 11

Miles Davis, acrylic on Canvas (made via stencil). ~13″ x 13″

Sarah Vaughan made from raw used masking tape (not mounted to paper then collaged). 24″ x 18″

Charlie Parker, graphite, small

Thelonious Monk (this one’s really old).
I’m currently working on a piece incorporating portraits of Coltrane and Miles in them, so in a way this is still relevant.
-JD
From the NYC subway, yet again.
T.B.




from the NYC subway this week:




And not from the subway:
pencil, graphite, gouache and ink:

Undercooked

Pear

Guided Tour, digital collage, 14″ x 11″, 2011

Hidden Niche, digital collage, 11″x 14.5″, 2011
I think, I’m getting closer to what I want to do and where I want to be with these. Next, I want to use this particular approach in a painting, a paper collage, and maybe a quilt and see where it goes from there.
Spent Christmas with the extended Bennett family and got a little drawing in with my dad. Our Miss Tiller posed, not that you’d know it by my drawing. Harry is still fresh and fluid, of course.
Below, sketches by Harry Bennett. ink on paper. Towson, MD, 12/2010
My drawings after the jump.



The dead of winter is upon us here in the Northeast. But I’m free from the corporate chains I’ve been carrying, at least for a little while.
Now I can whip myself back into painting full time. Flagellation, begin!
In the meantime, here’s a trifling mixed media drawing on paper.
Darkness Falls
india ink, graphite, letraset ink and gouache. 9″ x 12″