Archive for November, 2010

monster family study

Posted in Art, Daniel Allyn Lee, Painting with tags , , , , on November 8, 2010 by Daniel Allyn Lee

A recent study on monster families concluded that the majority of them get along better than human families. If a disagreement does arise someone usually gets eaten alive so monsters just try to get along.
Here’s another study painting; some fun with color and a simple circle pattern.
family foto
familyfoto, acrylic on paper,9″x 12″

Five Minute Rerun

Posted in Stephanie Gerolimatos with tags , , , , , , on November 6, 2010 by ssstephg

I was watching the sky this morning and it was so pretty I thought I’d like to catch five minutes of it on video so I could watch it again whenever I wanted. So that’s what I did. Here it is followed by a few photos for those of you with connections too slow for video. What’s that? Oh. Is this random video posting on it’s way to becoming a bad habit I’ll have trouble breaking? I don’t know. Only time will tell.

click to see em bigger

m’kay bye,
-Steph

New York is Where it’s At

Posted in abstract, Art, art on paper, art school, collection, exhibits, figurative, Miscellaneous, MOMA, monotype, museum, oil painting, Painting, printmaking, Tom Bennett, work on paper with tags , , , , , , , , , , , , on November 4, 2010 by Tom Bennett

I am reminded every so often how lucky I am to live and work in this city. The center of everything, and certainly art. I work half the time in a building a block away from MOMA, a few blocks from the 57th St. galleries and across the street from Christie’s, just to name a few. Christie’s, for example is really one of the only places you can see a revolving show of the greatest art the public will rarely, if ever see. It’s the great auction house for incredible private collections from around the world.
I just had a two-person show down in Philadelphia at Tyler School of Art, but
I’m now back drawing to pay the bills. At any rate, I thought I’d post some more New York subway indi-gesteral drawings:

11/2/10

/10/29/1010-a

08/06/10

10/29/10-c

Literature Is Art, Too

Posted in Art, literature with tags , , on November 2, 2010 by jdhastings

Working on something really weird to post hopsfully next week, but this week I thought I’d throw you a curve ball. I don’t know if I over or under advertise the fact that I have a degree in literature, but I do (I do not have one in art). As such there’s a lot of information swriling around in there that I use but maybe don’t share in its original form. Anyways, I thought I’d share this short, important piece by Kafka:


Before the Law

by Franz Kafka

Before the law sits a gatekeeper. To this gatekeeper comes a man from the country who asks to gain entry into the law. But the gatekeeper says that he cannot grant him entry at the moment. The man thinks about it and then asks if he will be allowed to come in sometime later on. “It is possible,” says the gatekeeper, “but not now.” The gate to the law stands open, as always, and the gatekeeper walks to the side, so the man bends over in order to see through the gate into the inside. When the gatekeeper notices that, he laughs and says: “If it tempts you so much, try going inside in spite of my prohibition. But take note. I am powerful. And I am only the most lowly gatekeeper. But from room to room stand gatekeepers, each more powerful than the other. I cannot endure even one glimpse of the third.” The man from the country has not expected such difficulties: the law should always be accessible for everyone, he thinks, but as he now looks more closely at the gatekeeper in his fur coat, at his large pointed nose and his long, thin, black Tartar’s beard, he decides that it would be better to wait until he gets permission to go inside. The gatekeeper gives him a stool and allows him to sit down at the side in front of the gate. There he sits for days and years. He makes many attempts to be let in, and he wears the gatekeeper out with his requests. The gatekeeper often interrogates him briefly, questioning him about his homeland and many other things, but they are indifferent questions, the kind great men put, and at the end he always tells him once more that he cannot let him inside yet. The man, who has equipped himself with many things for his journey, spends everything, no matter how valuable, to win over the gatekeeper. The latter takes it all but, as he does so, says, “I am taking this only so that you do not think you have failed to do anything.” During the many years the man observes the gatekeeper almost continuously. He forgets the other gatekeepers, and this first one seems to him the only obstacle for entry into the law. He curses the unlucky circumstance, in the first years thoughtlessly and out loud; later, as he grows old, he only mumbles to himself. He becomes childish and, since in the long years studying the gatekeeper he has also come to know the fleas in his fur collar, he even asks the fleas to help him persuade the gatekeeper. Finally his eyesight grows weak, and he does not know whether things are really darker around him or whether his eyes are merely deceiving him. But he recognizes now in the darkness an illumination which breaks inextinguishably out of the gateway to the law. Now he no longer has much time to live. Before his death he gathers in his head all his experiences of the entire time up into one question which he has not yet put to the gatekeeper. He waves to him, since he can no longer lift up his stiffening body. The gatekeeper has to bend way down to him, for the great difference has changed things considerably to the disadvantage of the man. “What do you still want to know now?” asks the gatekeeper. “You are insatiable.” “Everyone strives after the law,” says the man, “so how is that in these many years no one except me has requested entry?” The gatekeeper sees that the man is already dying and, in order to reach his diminishing sense of hearing, he shouts at him, “Here no one else can gain entry, since this entrance was assigned only to you. I’m going now to close it.”

Franz Kafka “Before the Law”

This translation by Ian Johnston of Malaspina University-College, Nanaimo, BC, has certain copyright restrictions. For information please use the following link: Copyright. For comments or question please contact Ian Johnston.. For more links to Kafka e-texts in English click here. This text was last revised on February 21, 2009]

I copied this from https://records.viu.ca/~Johnstoi/kafka/beforethelaw.html

This text is important because it lays out a basic concept that would be played out in long form, with several additional themes in <u>The Trial</u> and <u>The Castle</a>.  Basically, there is the relationship between man, “The Law,” as a vague authority, expectation of the man for access to the authority and a curious denial of that access.  If I have time today, I may add some further analysis about how I believe these concepts are commonly misinterpretted today. 

-JD

a study

Posted in Art, Daniel Allyn Lee, Painting with tags , , , , , on November 1, 2010 by Daniel Allyn Lee

Hi, I haven’t been around for a while. I had a show in Ohio last month and got really busy at the end of September. I got waaaay behind on my daily drawings and just didn’t have anything to share. It was a kind of nice have a break from art for a while.

I’m so over being conflicted about art vs. illustration vs. craft. I still want to make art, but I worry the kind of art I want to make won’t be taken seriously. I guess, its a silly thing to worry about. Anyway, I’m getting caught up on the Daily drawing project, but I’ll pry mostly keep that on my other blog. I do plan on doing other stuff, like a series of studies for larger paintings.
study

I’m just playing around with color and layering images right now.

Follow

Get every new post delivered to your Inbox.

Join 1,671 other followers