Snapshots From an Uncertain Voyage

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Loosely stated, my art process comes down to 2 basic stages, with a lot of feedback between the two.  I call these the IDEAS stage and the STUFF TO MAKE OTHER STUFF WITH stage.  Or maybe just the Stuff stage. 

The Idea stage usually happens while walking, commuting or trying to sleep.  When I’m away from art, visualizing out of boredom or as stray notions hit me.  These are the architect’s blueprints.

The Stuff stage is the hands-on creation of the materials that make up the building the Idea blueprints describe. 

The 2 stages are often completely separate.  I make Stuff without consideration to the Ideas it will be used with.  Once I have some Ideas, I will use what Stuff is available.  Obviously sometimes the ideas dictate that specific Stuff is made, but even then, I usually have leftover Stuff afterwards that will have to be incorporated elsewhere later.  And sometimes I have to come up with Ideas to get rid of Stuff I haven’t used in 2 years.  To make room for Stuff I have to create for a specific idea. 

Here’s 1 of 12 purple sheets I made a few weeks ago to clear out some tubes of paint I hadn’t used in years. To make room for some of the paint tubes I recently inherited from my Grandfather:

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Or sometimes I make Stuff to use up leftover pieces of other Stuff.  Here’s 1 of 11 sheets of linear collages I made out of leftover sheets from
the “Gossip” piece a few weeks ago:

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Do I have any idea what I’m going to use this Stuff in? No. I’ve had a few Ideas, but nothing too convincing. Chances are I’ll put it away and come back across it when looking for Stuff to use with a new Idea.

More Stuff after the jump.

Masking tape from the dropcloth posted last week. I think I ended up with 7 or 8 of these sheets.
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This is a painting on paper. I don’t remember why I made it. Maybe I was bored? I dunno. I may have wanted something to match the purple. The stripes are made with masking tape (of the sort that covers the sheet at the top of the post). I have a lot of random sheets like this that I don’t remember why I painted them. Not that it matters.

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I cleaned my pallette knife on this paper:
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Here’s 2 paintings on canvas that I made to sketch out some color ideas for a piece a friend asked for a year ago:

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I literally have drawers full of stuff like this. To say nothing of the closets of paint on canvas. Or paintings given to me by others.

I also have notebooks filled with ideas. Maybe the area I need to improve most upon is finding ways to work the 2 together more often. Use some of my surplus of both to create a surplus of art. Maybe.

Or maybe I’ll see where it leads me.

-JD

7 Responses to “Snapshots From an Uncertain Voyage”

  1. this is an impressive collection of colleges.
    So lively
    Great work

  2. Concerning technique: Have you ever thought of painting impasto-like over wire or string, and then pulling them through the paint when the impasto is “done”. You might get some interesting effects if you experiment.

    • I’ve painted impasto on string before, and dragged paintings across one another, but never this. You mean drag the impastoed string while wet right? That might be interesting. I’ll post it for you if I do try it (after I get back from L.A. for Thanksgiving)

  3. I was just remembering my first try at making Scagliola, trying to imitate veins in fake marble. It just seems to lend itself to the linear purposefulness of your work, and perhaps some happy accidents. Suppose you infused them with some kind of raw pigment powders beforehand. I dunno. You got me wanting to try something now.

  4. yr starting to remind me of Eric Carle, mr hastings. (not really, but hear me out) I have been to his studio a handful of times. He has drawers full of tissue paper ready to be cut into collages. he has piles of blotter paper on which he makes the collage paper. he has made art out of the tools he uses for making his colored tissue paper–scrapers, bits of carpeting, paint stirring sticks (like the ones you get at yr local house paint shop) all of which we have exhibited at the Carle Museum. and of course all his “real” work ishoused in our archival storage, as well, and is exhibited regularly. so all you have to do is open your own museum, “The Hastings” would be a suitable name, and voila! you not only have a new raison d’etre, but a place to store all yr Stuff.

    glad i could help.

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